Mark Your Calendar - Members Only Competition Deadline is December 14, 2012
Last year Karen Kaapcke was awarded First Place in the Self Portrait category and shared these thoughts about her painting and career.
1st Place
Karen Kaapcke,
Self-Portrait
with Crooked Glasses
9 x 11", oil on panel
Karen Kaapcke: This painting came about when my private
student cancelled her session at the last minute. I was at my studio, and
realized that I had the gift of about 3 solid hours of painting time.
Though I also had a work in progress that I could have continued with, I
thought instead to do a really quick self-portrait, with the challenge of
getting it accomplished within this time frame. I have been strongly drawn to
self-portraiture for the past 6 or 7 years, and have been painting all sorts
and manners of self-portraits, to investigate more deeply this unique category
of observational painting. I enjoy balancing off work on longer-term
pieces with quick studies, and had been teaching how to bring an oil sketch or
study to the level of a more fully resolved painting in a quick and fresh way,
and so it was also done in a somewhat instructional manner, as something I
would later share and discuss with my student. I also felt it would
be good to show my student that it is important to paint no matter what, with
your materials at hand, come what may - to paint all the time and in every
context!
With this kind of painting, I usually start on a toned panel - but here, I
worked directly on the white gesso since the painting came about in a very
unplanned manner and that was all I had in my studio. This was actually
somewhat helpful, as I had to work really quickly initially to try to get rid
of the distraction of the white. I lay in quick strokes to mark out the
general map of the placement of forms in a neutral earthtone, and then really
quickly got into painting in patches of dark, then the possible lightest light,
and finally everything in between with an eye towards building the
structures. When I feel things are getting too fussy, I reclaim my energy
to obliterate it - bringing it constantly back to a level of
simplification. It is important to also constantly observe yourself
working, to make sure you are simply, and clear-headedly seeing what's in front
of you. Again, when this seems not the case, I gather up the energy to
obliterate the marks that have deviated and seem too symbolic, to replace them
with the results of pure (as pure as possible!) observation.
After receiving my MA in Philosophy, I trained mainly at the Art Students
League in NYC where I studied sculpture with Barney Hodes for a couple of
years. At the same time I was studying drawing with Ted Jacobs, and was
waiting to get into his painting class. When I began painting, I left
sculpture behind in order to focus on the world this opened up. When he
relocated to France I continued to work with him there for some time, but also
continued to work at the Art Student's League when I had to return to NYC to
earn money. There I worked with several abstract painters who
influenced me quite a bit, mainly John Hultburg whose monitor I was for a
couple of semesters.
This painting, as a part of a larger series of self-portrait investigations
that I have been working on for many years, represents a vision of the self
that is quick and quirky, a real moment of the self captured, in order to
portray an honestly observed and felt reality. The notion of painting
honestly has been becoming more and more important to me as I mature as an artist
- and the crooked glasses, in particular, stand for that - for the goal
of painting as a response to reality, not correcting what your vision tells you
by what your mind tries to tell you 'should' be there. When I noticed
that I rather unthinkingly painted my glasses as crooked as they really were,
not only did I find it a little humorous (since I kept putting off getting them
fixed, and it was becoming a real problem!), but true and unjudged.
